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Projects / Programmes source: ARIS

Evropska umetnost in njeni vplivi na slovenskem umetnostnem prostoru (Slovene)

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Periods
January 1, 1999 - April 30, 2002
Research activity

Code Science Field Subfield
6.09.00  Humanities  Art history   

Code Science Field
H310  Humanities  Art history 
H311  Humanities  Painting 
H312  Humanities  Sculpture and architecture 
H313  Humanities  Art criticism 
Evaluation (rules)
source: COBISS
Evaluation of bibliographic research performance indicators according to ARIS methodology
Citations Citations for bibliographic records in COBIB.SI that are linked to records in citation databases
source: WoS source: Scopus source: COBISS
Researchers (4)
no. Code Name and surname Research area Role Period No. of publications
1.  17839  PhD Martin Germ  Humanities  Researcher  2001 - 2002  454 
2.  04135  PhD Nataša Golob  Art history  Head  2001 - 2002  562 
3.  06190  PhD Lev Menaše  Art history  Researcher  2001 - 2002  597 
4.  19517  PhD Monika Osvald  Art history  Researcher  2001 - 2002  76 
Organisations (1)
no. Code Research organisation City Registration number No. of publications
1.  0581  University of Ljubljana, Faculty of Arts  Ljubljana  1627058  97,976 
Abstract
The research is oriented toward monuments of art, evaluating them as integral phenomenon and starts from their intelectual backgrounds; thus it is taking them as artistic expressions of ideas, generated out of religious, philosophical, aesthetic and emotional roots. The programme is concentrated on definition of models and concepts from broader European context and their subsequent lives in Slovenian art, as expressed in the choice of artistic themes (iconographic analysis) and in their acceptance (iconological analysis). Such definition of works of art is giving an overview of the audience from different periods who enjoyed, sustained and ordered different works of art. Three basic periods were selected: Middle Ages, Late Renaissance and Modernism. Mediaeval centuries are investigated from the perspective of written records – manuscripts and fragments - which are autonomous documents of intelectual and artistic aims and achievements. Late Renaissance period was overshadowed by protestantism and strong influences from Italy and the two interlaced streams of artistic concepts are resulting in monuments of art with complicated icolographical character. Research of Modernism is, starting with tendencies from late 19th ct. onwards, concentrated on themes, rejected by official audience and criticism.
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