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Projects / Programmes source: ARIS

Ontology and pragmatics of the narrative act

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Research activity

Code Science Field Subfield
6.07.00  Humanities  Literary sciences   

Code Science Field
H390  Humanities  General and comparative literature, literary criticism, literary theory 
H430  Humanities  Greek literature 
H440  Humanities  Latin language 
H470  Humanities  French literature 
H530  Humanities  German language and literature 
H570  Humanities  English language and literature 
H580  Humanities  Scandinavian languages and literatures 
H360  Humanities  Applied linguistics, foreign languages teaching, sociolinguistics 
Keywords
narratology, narrator, ancient literature, medieval literature, Enlightment, Romanticism, novel, ancient poetry, medieval poetry, autobiography
Evaluation (rules)
source: COBISS
Evaluation of bibliographic research performance indicators according to ARIS methodology
Citations Citations for bibliographic records in COBIB.SI that are linked to records in citation databases
source: WoS source: Scopus source: COBISS
Researchers (3)
no. Code Name and surname Research area Role Period No. of publications
1.  19010  PhD Katarina Marinčič  Literary sciences  Researcher  2004 - 2007  189 
2.  18843  PhD Marko Marinčič  Literary sciences  Researcher  2004 - 2007  280 
3.  10815  PhD Miha Pintarič  Literary sciences  Head  2004 - 2007  313 
Organisations (1)
no. Code Research organisation City Registration number No. of publications
1.  0581  University of Ljubljana, Faculty of Arts  Ljubljana  1627058  97,945 
Abstract
The objective of the project, based on selected texts ranging from the Greco-Roman antiquity to the early 19th-century novel, is to re-examine some theoretical problems related to the ontology of the narrative act and its textual manifestations in the light of the current critical debate. The theoretical premisses of the study are an examination of certain ideological repercussions of ancient, Renaissance, and later poetics in modern narratology, and cross-checking of the literary praxis of those periods with contemporary views on literature. In opposition to the conventional approach of French narratology, which analysed narrative texts, including their temporal structures, in their mimetic relation to an imagined reality (abstracted from the "narrative" as the "story"), this project focuses on the narrator as the source of literary illusion in fictional as well as in autobiographical, historical and pseudo-historical texts.
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