1.

Post-Yugoslav docu-fiction: "faking" it to question the truth of official memory

Presentation at he international scientific conference "Why remember" in Sarajevo. I presented a case from Slovenian theatre and docu-fiction (movie), which purposfully play with facts and fiction in order to question the reliability of memory narratives that consider recent history.

B.03 Paper at an international scientific conference

COBISS.SI-ID: 41883181

2.

The power over memory is the power over identity

This was an invited lecture as a part of the series of lecture Theatre and Society in Southeast Europe, organized by Center for Southeast European Studies at the University of Graz. In the two hours long lecture I presented a review of different theatre plays and performances that deals with memory on Yugoslavia

B.04 Guest lecture

COBISS.SI-ID: 41881133

3.

Belonging and different modes of truth in post-Yugoslav documentary theatre

I research different modes of staging "lived experience" and personal memory of performers, which is a starting point of devised theatre in Damned be the traitor of his homeland! (dir. Frljić), Hipermnesia (dir. Spahić) and Born in YU (dir. Mustafić).

B.03 Paper at an international scientific conference

COBISS.SI-ID: 42732845