Prismatic reasearches of contemporary literary artists from the space of former Yugoslavia, Charles Simic, Danilo Kiš, Aleksandar Hemon, David Albahari, Igor Štiks, Muharem Bazdulj, itd. are in this work given through a critical textual-archeological digging of the Yugoslav heritage, a heritage of multi-culturalism and trans-nationalism, where a cognitive map is drawn in the authors texts, social contexts and social circles of the former Yugoslavia.
D.11 Other
COBISS.SI-ID: 253262848The factors influencing the youth musical subcultures are: relativly tolerant social climate; the media that translates inovations from a private to a public sphere; constitution of a subcultural background; structuralisation of the reaction of the actors transformed into followers. The author analyses these processes on the case of hippie and punk subkultures in Slovenia in the 60s and 70s of the past century.
D.11 Other
COBISS.SI-ID: 29540189The presentation on critical apprach to happiness was presented at the central international cultural studies conference. Insofar as happiness is one of the concepts that is usually considered inherently positive and unproblematic it is seldom approached critically. The presentation questioned this widespread assumption by critically treating happiness as a possible machanism of social control.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 29595997The article combines the effects of new and developing technologies, especially convergent technologies which are developing on the crossroads of nanotechnology, biotechnology, informational-comunicational technologies and neurotechnologies, with the theories of global catastrophich risks which are the result of natural or human-made processes, risk society and RISC processes. The analyses reasearchs inovational trends and tecnhological social effects as well as demonstrating some of the mechanisms of social regulation of technology which can soften the technological risk for human societies.
D.11 Other
COBISS.SI-ID: 29943901The paper treats two contemporary Slovenian and Italian movies which represents the Partisan Myth: “The Hearth in the Well” (Italy 2005, director: Alberto Negrin) and “Trst is Ours” (Slovenia 2009, director Žiga Virc). The purpose of this paper is to deconstruct the partisan myth present in both movies incalculating at the same time the effects they had on the public.
B.03 Paper at an international scientific conference
COBISS.SI-ID: 30104669