The article describes two basic ways in Marijan Lipovšekʼs work. Firstly, it deals with the relations between creativity and performing art, especially in Lipovšekʼs piano chamber performances; and secondly with the relations between performing practice and cultural reflection as well as cultural activity respectively.
COBISS.SI-ID: 47361122
A short survey of the beginnings of Slovenian electro-acoustic music serves asstarting point for questioning the present involvement with the electronic media. The results of an opinion poll conducted among representative Slovene musicians of different musical genres engaged in electro-acoustic music are interpreted in the light of present motivations for electronic composition andits topicality.
COBISS.SI-ID: 47950434
Urška Pompe's work is a blend of diverse musical experiences, electroacoustic music not being one of them. Despite that, her music shows rather obvious influences of electroacoustics and can serve as a point of departure for consideration of the ways in which compositional techniques that stem from experiments carried out in electronic studios or with computer technology transgress the realm of pure acoustic music, as well as reflections on the history of such transgressions.
COBISS.SI-ID: 46023778