The the notions of authorship is summed up in the explicit musical poetics of four Slovene composers. As the main common feature of all four composers is seen in individual solutions - allegedly all phenomena are incommensurate - the paper discusses them as four facets of a plethora of “individualisms” as dialogs of different languages in which where each claims monopoly over the truth: the author emerges not as a unique, incomparable creator, but as a fine researcher, a “finder” of certain generally acceptable auditory qualities.
COBISS.SI-ID: 51189090
The contribution discusses the parallels between the Slovenian and Baltic composers after the World War II. The contribution offers for the first time a comparative musicological insight into the musical works of the main Slovenian and Baltic composers.
COBISS.SI-ID: 53863778
Author deals with an important phenomenon of the contemporary musical composition and performance practice: the usage of historical instruments for perdorming new music.
COBISS.SI-ID: 53376098