The article discusses the question, if understanding can be comprehended as a relation – perhaps even as a distinguished relation – or do we have to attribute to it a distinctive non-relational character. The answer depends upon how we confront the very sense of understanding and whether the sense is disclosed as being a special – should we use Heidegger’s term – “hermeneutic relation”. If this holds true, then the sense of understanding as a hermeneutical relation must be unfolded with regards to communication with the other and not be discussed as concerning only the ontological difference, but also the worldly interference, which denotes the encounter with the other.
COBISS.SI-ID: 59466594
The present work comprises a supplement to a book in Slovenian entitled Notarjeva javna vera. Notarji in vicedomini v Kopru, Izoli in Piranu v obdobju Beneške republike (Notary’s Public Confidence: The Notaries and Vicedomini in Koper, Izola and Piran in the Time of the Venetian Republic), published in 1994 in the collection Library Annales of Historical Society of Southern Primorska in Koper. In its main statements, this supplement does not differ itself much from the previous work it is adduced to; however, in the meantime, some valuable additional studies on the topic of notaries for the majority of European countries were published; these have been used to supplement the present work. This circumstance enabled me to deepen some general facts in comparison to other environments as well as to expose specifics of execution and operation of notary offices within different legal practices, customs, and regions, which is especially noticeable in supplemented chapter on Ritual of Notarial investiture.
COBISS.SI-ID: 513400450
The question mark, which stands in the title oft the book on the "death of the lyrics," it's not just a rhetorical gesture, but an attack on the experienced reader, caught in the immanence of everyday life. Such a reader , who has passed through a wide range of “deaths” – of art, transcendence human self, consciousness, reality and similar "traditionalism", lyrics after all, in his intellectual imaginarium.
COBISS.SI-ID: 282643968
The activity of Socrates probably cannot be summarized as an appeal for a dialogue. His constant “entanglement in conversations” was not accepted as “the search of a dialogue” in the sense of “a common consensus” or “an appeasement”; he was, however, accused of “public disturbance”, and his attempt at “a dialogization” of the accusation was rejected as an extreme provocation. As if there would be nothing more politically subversive as – the dialogue. Even if it would be true that the dialogue in Plato’s “Socratic drama” is transformed into author’s monologue, we are mainly interested in the question, how from Socrates’ “obsession with conversation” this “polyphonic formation” can ensue: from the “unpermitted” dialogue in the Apology through the “rejected” in Gorgias to the “palinodic” or “palilogic” dialogue in Phaedrus.
COBISS.SI-ID: 513457282
Lexicon of visual arts theory contains 800 passwords in the fields of visual arts theory and its subdisciplines -photology, theory of colors, fine arts morphology, fine arts composition, theory of art language, art semiotics and formal fine arts analysis. This is the first original Slovene lexicon of visual arts theory with passwords that connect lexicographical and terminological elements. The lexicon is designed for professionals in the field of artistic painting, sculpture, design and architecture, art education at all stages of the art education, students of fine arts (painting, sculpture, visual communication, design, architecture, art pedagogy) and theoretical disciplines (art theory, art history, history and theory of design, theory of architecture, philosophy of art, sociology of art, aesthetics, cultural study, etc.)
COBISS.SI-ID: 281147904