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PhD
Jovana S.
Pavićević
no.:
09114
researcher – active in research organisation
ORCID:
0000-0003-0212-5790
yahoo.com
Foreign language skills
Research activity
| Code | Science | Field |
|---|---|---|
| H570 | Humanities | English language and literature |
| H330 | Humanities | Dramatic art |
| Code | Science | Field | Subfield |
|---|---|---|---|
| 6.07.00 | Humanities | Literary sciences |
Keywords
Contemporary drama and theatre; Anglo-American drama and theatre; Theatre history; Performance studies; Cultural and gender studies
Education
| Level of education | Professional title | Study subject | Faculty | Year |
|---|---|---|---|---|
| Bachelor's degree | BA English Language and Literature | English Language and Literature |
University of Belgrade, Faculty of Philology
|
2006 |
| Doctoral degree | Ph. D. in Philology | Doctoral studies in Philology (Literature) |
University of Kragujevac, Faculty of Philology and Arts
|
2016 |
Doctoral dissertations and other final papers
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Obtaining results now
Employments
| Type of employment | Research org. | Research group | Date of employment | Position | Title |
|---|---|---|---|---|---|
| Fixed-term work (100%, RD:100%) |
|
10/17/2009 | Assistant Professor | Assistant professor |
Biography
Jovana Pavićević is Assistant Professor in the English Department of the Faculty of Philology and Arts, University of Kragujevac, Serbia. She received a PhD in Literary and Cultural Studies from the Faculty of Philology and Arts in 2016, after completing her doctoral research on Sarah Kane and the notion of new writing. Her research and teaching interests include classical and contemporary drama and theatre, European avant-gardes, performance studies, theatre criticism, and gender and cultural studies. She has published on a range of topics, most recent include: ‘Reminiscences of Home in Jackie Kay’s Trumpet’ (2022), ‘Sarah Kane’s Crave: An Intertextual Reading’ (‘Intertekstualno čitanje drame Žudnja Sare Kejn’, 2022), ‘Apocalyptic Narratives in Anglo-American Theatre from Berkoff’s Greek to Ridley’s Eclipse’ (2020), ‘Exploring the Boundaries Between the Living and the Dead Through Jean Genet’s Macabre Theatre’ (2019).