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Projects / Programmes source: ARIS

Slovenska umetnost ter umetnost srednje Evrope in jadranskega prostora (Slovene)

Periods
Research activity

Code Science Field Subfield
6.09.00  Humanities  Art history   
2.18.01  Engineering sciences and technologies     

Code Science Field
H310  Humanities  Art history 
H311  Humanities  Painting 
H312  Humanities  Sculpture and architecture 
H313  Humanities  Art criticism 
S240  Social sciences  Town and country planning 
Evaluation (rules)
source: COBISS
Researchers (13)
no. Code Name and surname Research area Role Period No. of publicationsNo. of publications
1.  02886  PhD Stane Bernik  Art history  Researcher  2001 - 2003  502 
2.  01445  PhD Janez Hoefler  Art history  Head  2001 - 2003  512 
3.  08420  PhD Sonja Ana Hoyer  Art history  Researcher  2001 - 2003  204 
4.  16424  PhD Metoda Kemperl  Art history  Researcher  2001 - 2002  470 
5.  15756  Jakob Klemenčič  Art history  Researcher  2001 - 2003  233 
6.  06217  PhD Bogomil Komelj  Art history  Researcher  2001 - 2003  1,562 
7.  20328  PhD Anabelle Križnar  Art history  Researcher  2001 - 2003  148 
8.  20921  PhD Renata Novak Klemenčič  Humanities  Researcher  2001 - 2003  127 
9.  08414  PhD Ferdinand Šerbelj  Art history  Researcher  2001 - 2003  316 
10.  06447  PhD Samo Štefanac  Art history  Researcher  2001 - 2003  327 
11.  03390  Jadranka Šumi  Art history  Researcher  2001 - 2003  63 
12.  18158  PhD Beti Žerovc  Art history  Researcher  2001 - 2003  242 
13.  04930  PhD Sonja Žitko  Art history  Researcher  2001 - 2003  207 
Organisations (1)
no. Code Research organisation City Registration number No. of publicationsNo. of publications
1.  0581  University of Ljubljana, Faculty of Arts  Ljubljana  1627058  97,976 
Abstract
The research program encompasses basic investigations in the history of art in the Slove-nian territory as well as in the neighboring regions of Central Europe and the Adriatic from the Early Middle Ages onwards, covering in particular the fields of architecture, sculpture and painting, but also including urban planning, arts and crafts and design. The emphasis lies on the recording and investigation of complex units by stylistic periods in the sense of territorial corpora as well as by themes and artists, particularly in those areas explored to a lesser extent, whereby contemporary methodological approaches and inter-national art history practices (stylistic and functional analysis, typology, iconography and contextual issues - 'patronage studies') are applied. The points of departure are historical aspects with the investigation of archival materials and other written records, whereas for more recent periods the aspects of art criticism and theory are also taken into considera-tion. An important feature here are the thematic, stylistic and critical comparisons be-tween these materials and positions and the wider European space, and the emplacement of research results within this context. In view of the capacities and orientations of the members of the research group, the concrete tasks primarily involve investigations of the architecture, sculpture, wall painting and panel painting of the Gothic and Early Renais-sance periods, the architecture and sculpture of the Baroque, the architecture and sculp-ture of the 19th century and various aspects of art and art criticism in the 20th century, both in its national and international context. The relevance of the research program for science in the broader (international) sense In all its methodological aspects, the research program is comparable to similar art his-torical research carried out elsewhere in the world, at foreign university institutes and re-search organizations for other countries (e. g. Austria, Germany, Italy, Croatia, etc.). Such research work not only contributes to the European and universal history of culture and thought but also to an understanding of the latest developments in art. The signifi-cance of the proposed research program is in the exploration, presentation and emplace-ment of relevant materials from the territorially determined region of Slovenia and the neighboring regions of Central Europe and the Adriatic into a wider diapason of Euro-pean art history and in evolving a methodology that derives from the specific historical and cultural circumstances of this area. The relevance of the research program for Slovenia The basic subject of the investigations is part of the national cultural heritage of Slovenia and as such it is important for the corroboration of the national identity of our country. It is, however, expanded to also include the nearby regions of Central Europe and the Adri-atic, which, on the one hand, enables a more objective assessment, and on the other, an adoption of more elaborated, advanced research methods that it would be impossible to develop to such a degree if the research were limited to Slovenia alone. The aim of the research work is to stimulate the acquirement of a more thorough knowledge and assess-ment of Slovenian art of all periods, as well as to develop and reinforce art history as a scientific discipline in Slovenia.
Most important scientific results Final report
Most important socioeconomically and culturally relevant results Final report
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